“Don’t Bring Me Down” rock gp.

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Possible Answers: ELO.

Last seen on: LA Times Crossword 22 Apr 2018, Sunday

Random information on the term ““Don’t Bring Me Down” rock gp.”:

A diacritic – also diacritical mark, diacritical point, or diacritical sign – is a glyph added to a letter, or basic glyph. The term derives from the Ancient Greek διακριτικός (diakritikós, “distinguishing”), from διακρίνω (diakrī́nō, “to distinguish”). Diacritic is primarily an adjective, though sometimes used as a noun, whereas diacritical is only ever an adjective. Some diacritical marks, such as the acute ( ´ ) and grave ( ` ), are often called accents. Diacritical marks may appear above or below a letter, or in some other position such as within the letter or between two letters.

The main use of diacritical marks in the Latin script is to change the sound-values of the letters to which they are added. Examples are the diaereses in the borrowed French words naïve and Noël, which show that the vowel with the diaeresis mark is pronounced separately from the preceding vowel; the acute and grave accents, which can indicate that a final vowel is to be pronounced, as in saké and poetic breathèd; and the cedilla under the “c” in the borrowed French word façade, which shows it is pronounced /s/ rather than /k/. In other Latin-script alphabets, they may distinguish between homonyms, such as the French là (“there”) versus la (“the”) that are both pronounced /la/. In Gaelic type, a dot over a consonant indicates lenition of the consonant in question.

“Don’t Bring Me Down” rock gp. on Wikipedia

Random information on the term “ELO”:

Progressive pop is a form of pop music which attempts to break with the genre’s standard formula. Originally termed for early progressive rock music, some stylistic features of progressive pop include changes in key and rhythm, experiments with larger forms, and unexpected, disruptive, or ironic treatments of past conventions. Performers commonly produce their own material while opposing the influence of managers, agents, or record companies.

Since 1967, “progressive” pop has stood in contrast to “mass/chart” pop. Following the economic boom of the mid 1960s, record labels began investing in artists and allowing performers limited control over their own content and marketing. Groups who combined rock and roll with various other music styles such as Indian ragas and oriental melodies ultimately influenced the creation of progressive rock (or “prog”). After the 1970s, prog began selling poorly, opening a vacuum for a new, milder brand of progressive pop. During the 1980s, the New Pop movement attempted to bridge the divide between “progressive” pop and its mass/chart counterpart. By the 2000s, progressive pop gave rise to a host of popular, uncommonly large bands with an aversion to formal hierarchies.

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