This crossword clue is for the definition: “Music for Airports” producer.
it’s A 41 letters crossword puzzle definition.
Next time, when searching for online help with your puzzle, try using the search term ““Music for Airports” producer crossword” or ““Music for Airports” producer crossword clue”. The possible answerss for “Music for Airports” producer are listed below.
Did you find what you needed?
We hope you did!.
Possible Answers: ENO.
Last seen on: LA Times Crossword 14 Jul 19, Sunday
Random information on the term ““Music for Airports” producer”:
E (named e /iː/, plural ees) is the fifth letter and the second vowel in the modern English alphabet and the ISO basic Latin alphabet. It is the most commonly used letter in many languages, including Czech, Danish, Dutch, English, French, German, Hungarian, Latin, Latvian, Norwegian, Spanish, and Swedish.
The Latin letter ‘E’ differs little from its source, the Greek letter epsilon, ‘Ε’. This in turn comes from the Semitic letter hê, which has been suggested to have started as a praying or calling human figure (hillul ‘jubilation’), and was probably based on a similar Egyptian hieroglyph that indicated a different pronunciation. In Semitic, the letter represented /h/ (and /e/ in foreign words); in Greek, hê became the letter epsilon, used to represent /e/. The various forms of the Old Italic script and the Latin alphabet followed this usage.
Although Middle English spelling used ⟨e⟩ to represent long and short /e/, the Great Vowel Shift changed long /eː/ (as in ‘me’ or ‘bee’) to /iː/ while short /ɛ/ (as in ‘met’ or ‘bed’) remained a mid vowel. In other cases, the letter is silent, generally at the end of words.
Random information on the term “ENO”:
English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin’s Lane. It is one of the two principal opera companies in London, along with The Royal Opera, Covent Garden. ENO’s productions are sung in English.
The company’s origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic, for the benefit of local people. Baylis subsequently built up both the opera and the theatre companies, and later added a ballet company; these evolved into ENO, the Royal National Theatre and The Royal Ballet, respectively.
Baylis acquired and rebuilt the Sadler’s Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the company returned to its home, but it continued to expand and improve. By the 1960s, a larger theatre was needed. In 1968, the company moved to the London Coliseum and adopted its present name in 1974.