This crossword clue is for the definition: “Pinocchio” goldfish.
it’s A 32 letters crossword puzzle definition.
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Possible Answers: CLEO.
Last seen on: LA Times Crossword 20 Oct 18, Saturday
Random information on the term ““Pinocchio” goldfish”:
E (named e /iː/, plural ees) is the fifth letter and the second vowel in the modern English alphabet and the ISO basic Latin alphabet. It is the most commonly used letter in many languages, including Czech, Danish, Dutch, English, French, German, Hungarian, Latin, Latvian, Norwegian, Spanish, and Swedish.
The Latin letter ‘E’ differs little from its source, the Greek letter epsilon, ‘Ε’. This in turn comes from the Semitic letter hê, which has been suggested to have started as a praying or calling human figure (hillul ‘jubilation’), and was probably based on a similar Egyptian hieroglyph that indicated a different pronunciation. In Semitic, the letter represented /h/ (and /e/ in foreign words); in Greek, hê became the letter epsilon, used to represent /e/. The various forms of the Old Italic script and the Latin alphabet followed this usage.
Although Middle English spelling used ⟨e⟩ to represent long and short /e/, the Great Vowel Shift changed long /eː/ (as in ‘me’ or ‘bee’) to /iː/ while short /ɛ/ (as in ‘met’ or ‘bed’) remained a mid vowel. In other cases, the letter is silent, generally at the end of words.
Random information on the term “CLEO”:
Cleo (born Clementina Cote, 1943–2007) was a French fauvist neo-impressionist painter.
Clementina Cote was born near Lyon in 1943. Her youth fell 1960s – the time of “Flower children, the sexual revolution and the creation of communes.
Cleo, pseudonym or abbreviation from her name and her family name – Clementina Cote, she invented for herself as a protest against her family name. Cleo, thus she was known in communes and in Giverny and like this she signed her paintings.
The rebel, Cleo didn’t recognize all official art and any critic. Although she got artistic education in the Academy of Fine Arts, Cleo denied the power of museums and auctions.
In her youth she idolized Pablo Picasso. When Cleo was sixteen she escaped from home to Paris to become a disciple of Picasso. Cleo was lucky – the maestro gave her some lessons in his Paris studio. Later, her life crossed with other artists – Dalí and Chagall.
There were three periods in her life and art.